Tag Archives: Graphic Design

Design Situations: Working Under a Tight Deadline or You Want That When!?

(“Design Situations” is an ongoing section of “Keeping Up With Barrage” in which Principal and Creative Director of Barrage Design Group, Adam Poser, addresses real-life design questions and problems for the young designer or non-designer.  If  you have a question or situation that you would like Adam to address, contact him at adposer@barragedesign.)

The Situation:

One of the recurring problems I see when young designers begin work for actual clients is dealing with projects requiring a short deadline. As most designers will attest, it’s not uncommon for clients to want their job completed yesterday, but sometimes the deadline seems almost impossible to meet given the scope of the project and deadline being imposed by the client. Of course, a designer always has the right to refuse any project offered to him, but sometimes that project will come from a long-time client that you don’t want to risk losing or a new client that could potentially provide significant future business. Given that, I’m going to spend this edition of “Design Situations” giving tips on how to remain calm and complete the project on time while feeling satisfied with the result.

The Tips:

1. Make the Client Understand

The first step towards successfully completing a job under a tight deadline begins with making the client understand what they are asking you to do. Some designers are afraid to be frank with clients, but it’s your job as a designer to advise and consult, not just produce the design. Unless you have a design savvy client, they likely will not understand the time intensive process required by design. Therefore, it falls on you to temper their expectations in this situation. If you take on a job without first making the client understand and expect less than your absolute best, then no matter what the results are, the job is likely doomed from the beginning due to unrealistic expectations.

2. Limit Your Conceptualization

The phrase “dive into the deep end” is quite appropriate when presented a tight deadline. While all projects require some time dedicated to conceptualization, it is imperative that, as a designer, you do not get caught up and spend too much time thinking about the direction of the project before starting. A tight deadline requires and demands that you allow the execution of the project to guide the end product. For some, this tip will be harder  to follow than for others. If you were able to make the client understand the limitations placed on you as a designer, then their expectations anticipate a viable and working product, not the best work you’ve ever done.

3. Perfectionist Need Not Apply

Most designers are rarely satisfied with their work. Much like fine artists, we always see room for perfection and rarely feel we’ve accurately represented our creative vision.  I am no different in this regard. I often find myself second guessing design decisions I’ve made in the creative process – constantly going back to stare at a section, second guessing an accent color used or wondering if that line is placed in just the right location. There is a time and a place to let your perfectionist rule. Realistically, managing a design project under a tight deadline is not one of those times. You need to make a conscious effort to remember that the clock is ticking and you don’t have the luxury of nit-picking your work to perfection.

4. The Client Can Contribute

Any task the client can do on their end allows you more time to work on the other elements of the project. When under a tight deadline, we always encourage the client to provide the body copy,  and get in touch with a printer to price out their printing options. Sure, they won’t do it as well as you could, but again, if you’ve hammered home point #1 then they aren’t looking for perfection and absolutely logistical control.

5. Judge Yourself Differently

Finally, upon completion of the rush project, it’s essential that the criteria by which you judge the end product differ from the criteria used when a tight deadline was not a major limitation. Remind yourself of the main goals of the project; being certain to include inherent limitations. Some of the criteria by which you should judge yourself include (1) whether you created a workable design within the tight deadline and (2) how effectively you worked with the client to quickly compile the necessary information for the design. If you judge a rush project by the usual standards you will ultimately be dissatisfied and unrealistic about the quality of work that can be achieved with short deadlines. This scenario will unfortunately play itself out with every tight deadline you undertake. By understanding and accepting that you created an acceptable, quality design in a short amount of time, you will grow as a designer and continue to hone your craft.

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Director’s Notes: Helping Those Who Help Others

One of the most rewarding aspects of my job is having the opportunity to help those that are focused on helping others.  Recently, Matt Snively, Director of Technology and Development for Trinity West Crisis Dispatch, contacted me about designing a commemorative patch for the organizations efforts in Queensland, Australia.

For those that are not familiar with the organization, Trinity West Crisis Dispatch (TWCD) is a non-profit organization dedicated to helping people who have experienced a disaster. Their goal is to provide relief  to those most affected, aid in the recovery process and rebuild lives and homes in devastated areas.

In January of this year, the town of Toowoomba, located in the Queensland province, came under heavy flooding, costing the lives of 35 people and causing an estimated  $ 30 billion dollars in damages. TWCD was fast to respond ; travelling to the area on January 24th to assist in the recovery effort.

In creating a patch to honor those involved in the recovery efforts there were a couple of important factors that had to be considered:

First, the tragic nature of the trip dicatated a level of respect for those  affected. Additionally , the trip had also been dedicated to the memory of one of the organization members mother, who had recently passed away. That portion of the design was achieved through careful selection of color and arrangement of the chosen design elements. Second, it was important that elements of both Queensland and TWCD were included in the design. To achieve this, I included elements of the TWCD logo as well as elements from the Queensland flag.

The Produced Badge

It was a great priviledge to work on this patch for TWCD.

If you would like to know more about TWCD and their trip to Queensland, please visit their website at www.twcd.us. I encourage you to donate to assist their heroic efforts and, if possible, donate your time.

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Design Situations: RGB? CMYK? WTH!?!?

(“Design Situations” is an ongoing section of “Keeping Up With Barrage” in which Principal and Creative Director of Barrage Design Group, Adam Poser, addresses real-life design questions and problems for the non-designer.  If  you have a question or situation that you would like Adam to address, contact him at adposer@barragedesign.)

The Situation:

The company you work for is a sponsor for a local community sports event.  As part of your sponsorship package, the logo of your company is going to be displayed on banners around the field.  Now you’re on the phone with the service that creates the banners and he is asking for the company logo in CMYK, not RGB, format.  Having no idea what they are talking about, you inform them you’ll get that to them as soon as possible.  Immediately after hanging up, you frantically go to your favorite search engine to figure out what those acronyms mean.

The Explanation:

First, take a deep breath.

Done?  Okay, let’s begin.

When someone talks about RGB and CMYK they are referring to the two color models used to determine an array of colors for various outputs.  While the issue can be complex, understanding the basics are typically enough to help solve your problem.  Let’s begin by looking at the RGB color model:

RGB – The letters RGB refer to the three colors that are used in the color model, Red, Green and Blue.

RGB is an additive color model, meaning that the three colors, red, green and blue are mixed together to create a wide range of colors.   To illustrate this concept, refer to Figure 1.1 for an example of the RGB color model.

 

Figure 1.1 - RGB Color Model

 

You should be aware that the RGB color model is primarily used for displaying images in electronic devices such as phones, televisions and computers.  Any graphics found on your electronic device are going to be based on the RGB color model.

 

CMYK – As with RGB, the letters in CMYK also refer to the colors that make up the model, Cyan, Magenta, Yellow and Black.  The K stands for Key and has to do with the printing process.

In contrast to the additive process that the RGB color model uses, CMYK is a subtractive color model.  As the inks are added together, less light is able to be reflected and the brightness is reduced, thus describing why it is called subtractive.  When Cyan, Magenta and Yellow are mixed together, Black is the resulting color.  As with the RGB color model, refer to Figure 1.2 for an example of the CMYK color model.

 

 

Figure 1.2 - CMYK Color Model

 

The CMYK color model is primarily used for printing, using a method called Halftoning. Halftoning allows for a wider range of color options by printing varying size dots of the primary color, combining them with the white paper to trick the eye into seeing a different color.

The Solution:

Now that you understand the differences between RGB and CMYK, you’re ready to deliver the file you promised.  If your company had their logo professionally created, the design firm should have delivered the logo in a vector based drawing program (Adobe Illustrator, seen as an .ai file,  is one of the most common and what we use at Barrage Design Group) as well as a PDF file containing both the color and the grayscale versions of the logo.  Some logos are created in programs such as Adobe Photoshop (seen as a .psd file), which are serviceable, but not ideal for logos.  Whichever program was used to create the company logo, you need to locate the correct files and pass them along to the design company.

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